Sunday, December 4, 2011

Keyword Cuneiform


THE LAST OF THE UNKNOWNS, 'SHE'S GONE' b/w '1,2 Many X'S' (Thundermen Records, 1989)


Having seen this single go for a fair amount of cheddar a couple of times in the last few months, I thought time would now be opportune to post up both sides of it as well as to reveal the startlingly non-biker psych hard rock lineage of some of its players (the clue is in the label name and the proof lies in the cheese fries).


The Last Of The Unknowns from Eau Claire, Wisconsin, bafflingly trace their roots all the way back to a mid-60s instro outfit known as the Thundermen (name likely inspired by cross-state neighbors, the Fendermen, who hit pay-dirt with their tuff rendition of ‘Mule Skinner Blues’) with a clutch of singles to their credit. If The Last Of The Unknowns constituted some last-gasp incarnation of the group or merely came out on their label imprint is unclear, however, the internet copyright database does list the songwriting credits with surnames shared by some of the thunderous T-men. Oh, and a year.


NINETEEN EIGHTY-NINE!


So…go ahead and divorce yourself from the notion that this record had anything to do with the likes of Raven, Circuit Rider or Strychnine, as the band’s ambitions likely lied much closer to the fret-wanking formations of Joe Satriani or Yngwie Malsteem. That said, both sides remain remarkable – especially given the locale and year of release – with fuzz thick enough to rival Terry Brooks and Strange and budget production moves that give the impression of a garage band flash-frozen in 1968 thawing out thirty years later under the gated-reverb lights.


Also, attention must be lent to the bizarre field-hand/lover-man vocal breakdown in ‘She’s Gone’ that sounds like a bowling alley bar band of balding divorcees pouring their fifty-cent-pitcher hearts out(the harmonized refrain to the chorus’ question – ‘we don’t know where’ – is beyond boned-out). While ‘1,2 Many X’s’ lite croonerisms don’t exactly stand up to its top layer (what could?), the song’s title and lyrics do lend credence to the theory that a prerequisite for membership within The Last Of The Unknowns might be female trouble instead of exact musical aptitude.


The Last Of The Unknowns: self-help book psych for weekend hog riders. Enjoy their pain and pass the cheese curds.

"SHE'S GONE"


"1, 2 MANY X'S"

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